saint maud was a whirlwind of a film, relatively short, strange pacing, it's a slow burn until it's not and shit hits the fan very quickly ive not got much to say about this despite leaving the review til 4 days after viewing cos i can't rly vocalise how i feel about it other than that i loved every second .

Making her feature film debut, writer-director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. “The burning and snatch of reality was always how the film was going to end, and I’m hoping it happens so gradually that you don’t realise how far she’s fallen from reality until you’re there and you have this very hard juxtaposition.”, She added: “One of the execs asked how I want people to feel at the end and I said ‘guilty’. A British Pakistani rapper is on the cusp of his first world tour, but is struck down by an illness that threatens to derail his big break. I feel like this movie may got a lot of heat due to a potentially misleading bit of marketing. Save up to £497* a year -Compare Lots of Deals - Switch in Minutes. A young mother reconnects with her larger-than-life playboy father on an adventure through New York. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. We become aware that God is the second main character. Deeply disturbing slow-burner British horror. SYNOPSIS…

At this point we see two alternate versions of events: first we see them from Maud’s perspective, as she appears to ascend to heaven having fulfilled her earthly purpose, before we switch to the view of the public bystanders, who simply see her burst into flames. obsession and possession are two sides of the same coin. it bangs! When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye. Maud, a newly devout hospice nurse, becomes obsessed with saving her dying patient’s soul — but sinister forces, and her own sinful past, threaten to put an end to her holy calling. expertly builds suspense and tension — it all leads up to an unforgettably shocking ending that burns itself into your memory, a stigmata for the hippocampus. There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Synopsis by Augustine Chay Writer-director Rose Glass ’ psychological horror film stars Morfydd Clark , Jennifer Ehle , and Lily Knight . And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure. Was hoping it would go full exorcist at the end. Made by fans in Auckland, New Zealand. Drama. user rating, extracted from here. Saint Maud Maud’s dedication to Amanda is absolute, but she’s repulsed by Amanda’s lifestyle, which includes recreational drinking and drugs. Making her feature film debut, writer-director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. I wish somebody could have filmed the reactions of the rest of my audience during this (none of them looked like your typical horror fans and I wonder if they'd not seen a trailer and were expecting something tamer and more just religion not horror as the horror trailers that preceeded it seemed to terrify them). Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Fortunately both star Morfydd Clark and writer/director Rose Glass have weighed in with their explanations for the film’s final moments. Sign in to manage your newsletter preferences. There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. It is clear from the beginning that Maud is a tormented soul, and Amanda has long ago left the phase "mens sana in corpore sano".Both characters have suffered traumas. but the final two scenes definitely felt like the horrifying climax this film deserved. It leads up to this cathartic moment with the character and then smacks you around the face with it.”. the religious fanaticism of this film is really wonderfully placed within larger themes of female mental health, sexuality & identity. This list was created for Hallowe’en 2019…. Was this review helpful to you? Add the first question. View production, box office, & company info. | Access exclusive energy deals! In the collapse of perspectival distance lies the film’s rich ambiguity; the closeups obliterate the world and lock us into Maud’s point of view, reinforcing the immensity of her feelings and the extent to which these feelings overwrite and distort her sense of space and time, her notion of right and wrong. IMDb The finale is when it really kicks into high gear, but as fantastic as the final cut to black is, it's all over before it really gets off the ground.



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